Wednesday, April 7, 2010

Excerpt from Grant's Indian

Chapter I
“An Indian at Appomattox”
Appomattox 1865

It comes back to me now with the ponderous clarity of a dream, the figures larger than life, big and grainy as they loom and fade, now close, now far, their actions determined and purposeful as gods, as if they had conned by rote the parts they would play in American history’s most perfect moment. They ride slowly out of the noontime haze of a Virginia Palm Sunday in solemn procession, five uniformed men, two blue, three gray.

First comes Tucker the sergeant, his cap in tatters, the crown flapping like a chimney-lid, his gray coat buttonless, a white handkerchief nodding before him on an apple branch, his hands easy on the reins of Champ, his dead commander A.P. Hill’s dappled gray -- stragglers killed Hill a week ago today. “Tell Hill to come up now!” shouted Stonewall Jackson as he died two years ago, and Lee would cry the same before his order to “Strike the tent” on his own deathbed five years hence. Then comes Lee’s aide Marshall in borrowed gloves and clean paper collar, a brave stab at gentility in extremis. Then our own Babcock in full federal fig, from his fresh-trimmed beard down to his bright and jingling spurs, his dress kit somehow salvaged while the rest of us had abandoned ours in the pell-mell week-long mad pursuit from Richmond. Beside Babcock rides Lee, in a fresh uniform unpacked from thin paper this very morning, complete with red sash, snowy linen, and a magnificent dress sword with a lion’s-head hilt, wrapped in gold wire and sheathed in a gold-filigreed English-leather scabbard -- the gray fox brought to bay and sitting Traveller as grave and massive as a cathedral. At a discreet distance in the rear rides Lieutenant William Dunn, Babcock’s orderly, soft and unobtrusive, head down, wrists crossed over the pommel, so silent and workmanlike that history will soon forget he was there.

The group pauses at the bridge, and after a brief conference Tucker and Marshall spur forward into the little town. Lee urges Traveller down to the stream to drink. Babcock and Dunn sit fidgeting and silent, until Tucker returns and leads them clopping over the bridge and up to the porch of the two-story brick farmhouse Marshall has found for the meeting with General Grant.

History droops an eyelid. The house’s owner is Wilmer McLean, who moved here after shells crashed through the windows of his previous house at Bull Run during the war’s first battle four years ago. He moved west and managed to ride out the rest of the war unmolested, hunkering down in the remote Virginny hills while the thing runs its course. But history must have its symmetry. The war, begun in Wilmer McLean’s old back yard, has sniffed him out to finish in his new parlor.

Lee enters, removes his gloves, sits at a small table and waits. Colonel Marshall shifts from foot to foot. Babcock tries to make conversation, moving furniture around so the room is how he thinks Grant will want it. Tucker and Dunn wait outside with the horses, showing the white handkerchief. The clock ticks a slow half hour, the loudest sound in the room, as history awaits General Grant.

Oh, did I want to eat Lee’s brain that day, as we used to say, to get into his head and look around. One thing I wanted to know was where his surrender uniform came from, that beautiful dress gray with all the brass and the dress sword with all that gold. We, after all, had been pelting after him so fast we just had the clothes on our backs, and he’d been in even direr straits. I’ve thought about it often, sitting here thirty years later at my desk and shuffling my papers, and I’ve begun to think maybe he had it with him the whole war, packed away in his traveling trunk, waiting for just such an inevitability as this.

Tuesday, April 6, 2010

Grant's Indian by Peter Johnson

Grant’s Indian, by Peter Johnson, follows the life of Seneca Indian Ely Parker through the rich and turbulent period of mid to late 19th century American history: from the boom of towns in the East and the stifling bureaucracy of Washington, to the decimating battles of North vs. South in the Civil War, and to the grasping westward expansion of the white man that inevitably forced the Indians of the Great Plains onto reservations. Engaging from the first page to the very last, Grant’s Indian brims with memorable characters, entertaining dialogue and an unlikely love story that is sure to enthrall.

Ely Parker emerges from his Seneca roots in upstate New York as a young man determined to learn the white man’s tongue. Very soon, he is sent as a translator for his tribe to Washington, where he quickly learns the futility of the crawling pace of government, yet still manages to delay the loss of his tribal lands by greedy land companies. Never idle, Parker gradually rises from ditch-digger, to engineer, to army general.

Parker ‘s relationship with Grant is the keystone to much of this story, as it carries both men from the battlefield, to Lee’s surrender at Appomattox, to the convoluted inner workings of government and diplomacy. Although Parker may never have risen to the level of professional success that he did without Grant’s patronage, one also wonders who Grant might have relied upon if Parker had not been so faithfully at his side at critical times. Throughout his life, Parker accomplishes much, despite the limitations imposed on him by an often intolerant majority.

An unexpected gift in this story is the arrival of the precocious and charming Minnie Sackett, who challenges Parker with her lightning wit and outspoken nature. Less than half his age when they first meet, Minnie captures Parker’s attentions. Their engagement becomes a scandal among the social elite and a source of media fascination. Ultimately, it is Minnie who gives Parker’s life dimensions beyond his professional accomplishments and Minnie whose wisdom rescues him from despair.

Grant’s Indian is an absorbing and well-told story that reaches beyond the rote repetition of historical dates and events to a more human level. Although Johnson leaves no doubt as to how thoroughly researched the background for this story was, it is never bogged down with dry, unrelatable details. If U.S. History classes were taught with half as much realism and energy as is found in Grant’s Indian, more people would take an interest in America’s past and have a far better understanding of it. Grant’s Indian should be a recommended read, not just for those who have an interest in the Civil War era, but for anyone who seeks a deeper understanding of the foundation on which America was built.

Contest and Giveaway Announcement: Grant's Indian


Enter to win Peter Johnson's novel: Grant's Indian

There are two ways to enter:

1. Leave a comment this week with a fun fact about Ely Parker, the central character from Grant's Indian, that you learned from Peter Johnson's website: http://peterjohnsonbooks.com. It must be a unique fact, so read all the entries before you post your own.

2. Blog about this giveaway, post it on your Facebook page, or tweet it on Twitter. Leave a separate comment with a link to your post or your twitter user name.

Congratulations and good luck!

Monday, April 5, 2010

The Harlot's Progress - Yorkshire Molly by Peter Motley

When Molly Huckerby leaves her Yorkshire home for London eager to start an exciting new life as the wife of her wealthy cousin Tom, she has no idea the troubles that will befall her or how much her life will deteriorate.

When her coach arrives at its first stop in London, she is tricked into believing she has arrived at an Inn. Instead, it is a notorious brothel called The Bell. Mother Wickham, the brothel owner, has her seduced by a notorious and cruel man named The Colonel.

With her innocence lost and her reputation tarnished beyond repair, her cousin Tom repudiates her, she must accept this new life as a harlot in order to survive. Her hopes and dreams shattered, Molly is soon faced with one bit of trouble after another and her life is constantly in danger. Through the heroine, stalwart Molly, and a cast of colorful characters, the reader is irrevocably drawn into this fascinating story about the dangerous and lewd life of a prostitute.

Playwright and author, the late Peter Motley, based this story on the 1732 series of etchings entitled “A Harlot’s Progress” by William Hogarth. This novel is the first of a trilogy.


This novel is breathtaking in its historical detail and accuracy. The prose is magnificent and the story compelling with numerous twists and turns. The plot is ever evolving, immersing the reader into a vivid, believable tale. The author delves deep into the psyche of prostitutes, bringing to life the rich details and inner thoughts of prostitutes in 18th century England. This is definitely one to add to your book shelves.
 
The book is available from Amazon.co.uk at a normal price.  Amazon.com is charging much higher.  The publisher is attempting to rectify this.  So for now, it may be best to order the book directly from the U.K.



 
 

The Founding by Cynthia Harrod Eagles

Cynthia Harrod-Eagles ‘Moreland Dynasty’ series was first published in 1980, and the latest volume in he series has just been published. Sourcebooks has gone back to the beginning and reprinted the first books and being a CHE fan, I jumped at the chance to re-read an old favourite, the first in the series titled, 'The Founding'.

The story opens during the Wars of the Roses. Eleanor Courtney is a scion of the noble house of Beaufort and companion to Belle, Lord Edmund’s wife. Eleanor has developed an infatuation for Richard, Duke of York and carries a missal he gave her always as her talisman. When Lord Edmund announces she is to be married to a wealthy Yorkshire farmer’s son, Eleanor is horrified.

After a formal betrothal, she travels in her husband-to-be’s entourage from beautiful Corfe Castle in the rolling green hills of Dorset, to the bleak and windswept Yorkshire moors and the functional, male dominated Moreland farmhouse which offers no hospitality to the distressed young bride.

Unfazed, Eleanor is determined to bring some feminine influence to her new home, despite an aggressive father-in-law who regards the only way to treat outspoken women is a regular beating.

Eleanor’s distress at her social distance from her first love, and her abhorrence for the boy-farmer, Robert Morland is palpable. Robert himself is a disappointment to his father, being poetic and not physically dominating. Robert adores Eleanor from the first and she cannot help but be touched by his gift of a puppy from his favourite hound bitch.

The Founding is a masterpiece of research into life in Medieval England, with vivid descriptions of the clothes, food and hierarchy in grand houses in contrast to the way of life of the Yorkshire farming community. The story soon moves into the War of the Roses, where Eleanor's allegience to the House of York and her husbands to the Lancastrians shows how such conflicts divide families and shape fortunes.

CHE [and Jean Plaidy] were the authors who first inspired me to write historical fiction, and I was intrigued to see if the style of writing would appear different from my first experience of them. Her style includes a great deal of head hopping, passive voice and author intrusion no longer fashionable in modern writing. Most of the rules which editors will tell you are a bar to publication were there, including ‘her face paled’ when in the character’s PoV.

I can honestly say none of this spoiled the story for me in any way. In fact readers probably wouldn’t even notice, only aspiring authors who read ‘How To Write Books’ might find the style distracting. CHE has a lovely way with human emotion, and The Founding, a family saga in itself as it takes Eleanor's children from birth to death, is a compelling introduction to the Moreland Dynasty. The book made me want to read the entire series again. I eagerly await the next one!

Monday, March 8, 2010

Signora da Vinci by Robin Maxwell

Leonardo da Vinci was a man of many secrets.  Much is known of his work and his art, but little is known of his private life other than the fact he was born the illegitimate son of a wealthy nobleman and the daughter of an apothecaryin the town of Vinci.  Of his mother, even less is known.  Her name was Caterina and Leonardo was ripped from loving arms as an infant to live with his father's family. After that, nothing else is known. 

Robin Maxwell takes the reader on an incredible journey exploring Leonardo's life through the eyes of his loving mother, a remarkable woman in her own right.  She takes us to Renaissance Italy; to Florence, Rome, Milan, and Pavia.  Along the way, she breathes life into a 15th century world fraught with danger and famous personages. 

Through impeccable research, she introduces the reader to Lorenzo Medici, Sandro Botticelli, Rodrigo Borgio, the evil zealot Savonarola, and the rich Sforza family.  There is little she does not leave unexplored.  In great detail, she explains Leonardo's flying machines and the painting of the Mona Lisa.  She provides readers with a means of understanding how the Lirey Shroud could possibly be a forgery by Leonardo da Vinci himself.

For those who adore the history of Italy in the mysterious and exciting era of the Renaissance, this book will greatly satisfy.  Rich with detail, the novel moves the reader from tears to laughter as this poignant story unfolds.

Children of the Sun by Elizabeth Manson Bahr


In Children of the Sun by Elizabeth Manson Bahr, the Emperor Montezuma of the Aztec nation receives his messengers from the eastern coast, bearing news of strange, pale-skinned men from "houses that traveled on water.” His greatest fear is that their leader, the ruthless Hernan Cortes, might be the Plumed Serpent god Quetzalcoatl, whose return has been foretold in Aztec prophecy. Presented with two options, destroying the strangers or worshipping them unconditionally, his choice will influence the fate of an empire.

Montezuma sends his trusted advisors to investigate the arrivals. Though they suspect the Spanish are no more than mortal men, the emperor is unsure. It is the year One Reed when the god’s return had been expected. With their strange ships, guns that spew smoke and death, and the aid of the Mexica girl who translates for them, the Spanish leader convinces Montezuma that he should be feared as the god Quetzalcoatl. By the time Montezuma realizes the truth, it is already too late for his people, especially his young daughter Jewel, who finds herself at the mercy of Hernan Cortes.

In the midst of luxury and splendor, death and decay have embroiled the Aztec Empire in Children of the Sun and permeates the scenes. At the start of the novel, the corpses of enemy warriors, sacrificed to secure the favor of the gods, litter the temple grounds. Nearing its conclusion, their have been so many deaths that it seems impossible for the Aztec people to rise again. The author offers rich details throughout the work, which will appeal to readers who are fascinated by the Aztec Empire. Although many of the scenes are narrated from the perspective of Montezuma and his advisors, his daughter Jewel stands out and provides a thread of continuity for the reader. As she inherits the mantle of his failed legacy, it would have been interesting to view all the events that unfolded from just her perspective.