Legacy of Blood by Alex Connor

London, 1732. William Hogarth is called to a cellar where a whore lies dead. But not just any whore, Polly Gunnell was the mistress of Frederick, Prince of Wales. Not only must this fact be kept secret, and is the reason for poor Polly’s death, but she was carrying his son.

Hogarth is filled with guilt at the sight of a woman he cared for, especially when he realises he is partially responsible for her murder. Hogarth painted a very recognisable picture of the future King leaving her bed.  A picture he included in his series, ‘A Whore’s Progress’.

The situation looks bad, but is worsened when left alone with the body, Hogarth discovers that Polly’s baby is still alive, barely. He takes the child away and hides it, together with a gold ring given to him by the Prince with an inscription identifying the boy’s parentage.

Centuries later, one man is entrusted to keep the proof of this line of succession hidden, and keeps a watchful eye on the Prince's descendant. Being an old-school, honourable man, Sir Oliver Peters fulfills his duty for many years.

Oliver then accepts a lift on a private jet, and during that flight, someone tells him he has stolen the painting of Polly and Frederick, apparently unaware of Oliver’s custodianship.  To protect the monarchy, Oliver must at all costs retrieve the painting, but he doesn’t know where it is and within days, the man who claims ownership is killed in a traffic accident.

Then others who took that same flight start dying too, and one interested party employs Victor Ballam, a disgraced art dealer to find out what is going on and if possible – retrieve the painting.

I enjoyed Alex Connor's The Rembrandt Secret and looked forward to reading this one. I was not disappointed, as she has a canny knack of building the tension and then leaves the reader floundering when all the clues she lays are proved wrong.  There’s never a quiet moment in this story and the long-dead Hogarth appears at intervals to tell us what he did and why – to some extent!  It seems it was as difficult keeping secrets in the eighteenth century as it is in the present.

The story rolls along to a satisfying conclusion where all the ends are tied up nicely – well, sort of!  I cannot say any more about the plot without spoiling the book for prospective readers.

This is Connor’s second novel about the art world, and she paints art dealers as a murky, dishonest, back-stabbing bunch, which makes me feel she has had extensive experience of that world. All her characters stand out, each with their own stories that affect their actions when it comes to honour, greed or a sense of self.  I enjoyed the way everyone looking for the painting had their own reasons for their interest, from its protection, pure greed or simply the pride of ownership.

One point I would make on a personal level is that I very much doubt the Royal Family would give two hoots about an illegitimate child born in 1732, either then or now, let alone his descendant.  Prince Frederick had nine legitimate children and three illegitimate ones, so it wasn’t as if the throne was shaky.  And why would Frederick himself leave evidence of the child’s identity?  The fact Hogarth couldn’t bear to destroy a work he was proud of makes more sense, and his sentimentality for the baby makes him human too.  In fact I became quite fond of poor William Hogarth and his battle with the demons he had unleashed by an act of compassion through Alex Connor’s prose.

In the end, my suspension of belief in the premise of the plot in no way spoiled my enjoyment of this rollicking story I couldn’t put down.

Oleanna by Julie K. Rose

A haunting novel of isolation and triumph in the wilds of Norway

Back Cover:

Set during the separation of Norway from Sweden in 1905, this richly detailed novel of love and loss was inspired by the life of the author's great-great-aunts.

Oleanna and her sister Elisabeth are the last of their family working their farm deep in the western fjordland. A new century has begun, and the world outside is changing, but in the Sunnfjord their world is as small and secluded as the verdant banks of a high mountain lake.

The arrival of Anders, a cotter living just across the farm's border, unsettles Oleanna's peaceful but isolated existence. Sharing a common bond of loneliness and grief, Anders stirs within her the wildness and wanderlust she has worked so hard to tame. When she is confronted with another crippling loss, Oleanna must decide once and for all how to face her past, claim her future, and find her place in a wide new world.

Oleanna was short-listed in the 2011 Faulkner-Wisdom novel competition.

The first thing that drew me to read this novel was its unusual setting of Norway in the early years of the 20th century. From the very start, its pages evoked an emotion of haunting loneliness that complimented the isolated setting and set the tone of the entire story.

To say I was impressed with the novel is an understatement. I was irresistibly drawn to the characters and always left guessing. Their actions were always unpredictable, holding my fascination, keeping me turning the pages to find out what they would do next. Anders was depicted with an abundance of mysteriousness. Was he truly a good man? Or what secrets did he hide?

Based on the true life story of the author's spinster aunts added fascination. The author was able to delve deep into the thoughts and emotions of the characters to give a detailed understanding of their struggles.

The quality of any novel is exemplified in the transformational journey of its main characters. In this regard, this story did not disappoint. The characters changed in ways I had not expected, especially Oleanna and her sister. Both women learned much about themselves and the land they clung to.

This novel abounds with haunting emotion, sadness, and ultimate triumph. I am not surprised it was shortlisted 2011 Faulkner-Wisdom novel competition. Oleanna is women's historical fiction at its finest. I thoroughly enjoyed every word and highly recommend it as a fascinating read giving insight into a lesser known country and period in history.

Growing Up Patton by Benjamin Patton with Jennifer Scruby

A book that takes the reader into unusual places to meet unusual people!

Growing Up Patton

by

Benjamin Patton with Jennifer Scruby

Reviewed by

Gregory Graham

At the age of seventeen, Benjamin Patton made a decision to not join the U.S. Army. For most teenagers, it is an easy decision; not so if you are the grandson of General George S. Patton Jr, a hero of World War II and the son of General George S. Patton IV. Benjamin has a family military history that stretches back to the Civil War. In many ways, this book is the expiation of Benjamin's guilt for living a life outside the family trade, and an affirmation that life outside of the military can be as meaningful if one uses it to praise its military roots.

As a result, this book is hard to classify. It is part history, part reminiscence, there is some biography thrown in, and, of course, autobiography. You will find no Patton family skeletons here. All people in the book are presented with polished brass and at their Sunday best. What the book does quite nicely is take the reader into unusual places to meet unusual people. That, in fact, is what keeps this book from becoming a puff piece for the Patton family.

The first section deals with family history, and the second section with correspondence between George Jr. and George the IV during World War II. Junior is busy winning the war in Europe, and George the IV is studying hard at West Point. Dad's letters are full of fatherly advice for his son, and the son's letters are full of anxiety about the war ending before he can fight.

I think this section is meant to show the human side of the WWII general or at least dispel the image of him branded into our collective memory by George C. Scott in the movie, Patton. You get the impression that he was loved by the people who worked directly for him, but I know for a fact that this love did not extend to the soldiers in his Army. My father, an Infantry sergeant, who fought for Patton on his race across France and Germany had a different view. He called him 'Old Guts and Glory, our guts and his glory'.

The third section of the book is by far the best. It deals with the remarkable people that had an impact on the family. We get a short biography of General Creighton Abrams, a masterful general who worked for George Jr during World War II and who shaped the career of George the IV. Manfred Rommel is covered and the relationship that developed between Rommel's son and George the IV. We also meet Sammy Choi, a Korean Horatio Alger, Julius Becton, one of the first black generals in the US Army, and Vera Duss, an Abbess.

In the next section, Benjamin Patton covers young commanders shaped by his father who are the future of the US Army. A nod is given to the spiritual leaders who worked with his father, and the next to last section is devoted to his mother and the correspondence between her and his father during his Vietnam assignments. 

The final section deals with Benjamin's brother, George. If you're keeping count, that is George the V, who is mentally challenged.

I'm not sure what the totality of the book is. I found parts of it compelling. There were certainly parts of it that allowed me to peak into different ways of life and those parts were fun, but it is hard to escape the fact that the book is a chimera. The parts don't seem to fit together into a cogent whole.

This final question is who should read this book. I suppose if you're a student of military history, this book would be interesting. As it passes through the generations the reader can see how the Army has morphed from the fighting force of WWII to what it is today.

I would also read it for serendipity. One of my father's favorite stories about WWII was how on Christmas Eve during the Battle of the Bulge, he and his men came upon a banquet set out for German officers in a church. He remembers that the food was still warm and smelled wonderful although no one would touch anything because it might be booby trapped.

In the chapter on Creighton Abrams, Benjamin Patton describes how Abrams broke through to the town of Bastogne by using a little used side road. He surprised German officers along the way as they were sitting down to Christmas Eve dinner.

I now know where my father was on Christmas Eve, 1944. He was at the tip of the spear of the relief column sent to relieve Bastogne. The odd part is that I found it in a book by another man who is searching for his father and grandfather.

Obedience by Jacqueline Yallop

A haunting story of forbidden love in a convent

Overview

In a convent in rural France, three ageing nuns remain. Cloistered within her failing faith and her failing body, Sister Bernard navigates each day by the simple markers domesticity; but when the convent is threatened with closure the soft threads of piety and daily existence unravel. What lies beneath are Sister Bernard's terrible memories of wartime disgrace; of a German soldiers' bet turning lust into a love that deafened the heavens, of the full horror of both war and motherhood, and of a furious God who begun to sulk. Obedience is the story of a woman in a spinning world, and her attempts to keep her bearings. It draws its power from the grey spaces between guilt and innocence, the power of memory and how the aching need to love, and be loved, can cause good people to do terrible things.

In 20th century France, an ancient convent is scheduled to be forever closed. Only three, elderly nuns, who have lived nearly their entire lives in the confines of its cloister, remain to pack things up and prepare to move on to new living arrangements. Sister Marie suffers from dementia and is unable to comprehend the life-altering move she must soon make. Sister Therese is eager to embrace the future and opt for less restrictive life. Sister Bernard has lived almost 75 years in the convent. Memories of the past haunt her, sweeping the reader into a time long forgotten; when the war forever altered her life and Germans occupied the convent.

Sister Bernard hears the voice of God and she strives to heed it. As a young nun, she is naive and slow to adapt to cloistered life. When one of the young German soldiers occupying the convent shows an interest in her, God stops talking to her. Sister Bernard is lured by the sweet young man’s attentions. But what she doesn’t know is that his interest is merely to win a wager. Nevertheless, she begins to meet with him in secret and is soon seduced by him, breaking her vow of chastity. As their relationship progresses, she soon betrays others and the impact will be felt for generations to come.

This passionate, but powerful story explores forbidden love and the loss of innocence. The author delves deep into the personality of each character, leaving the reader with a sense of their imperfections. Their complexities are revealed through a smooth narrative, filled with vivid details and deep instrospection.

I thoroughly enjoyed reading this book for its uniqueness, complexity, and its ability to provoke thought. The characters remained in my thoughts long after I finished reading it, a testament to the powerful prose of the author. This gut-wrenching tale makes for great fiction, especially for those who like novels that explore the human spirit with all its sins and sorrows. I highly recommend it.

I LOVE COMMENTS

Interview With Guido Henkel

Today I was privileged to conduct an interview with Guido Henke, autor of the Jason Dark Ghost Hunter series and "The Curse of Kali." Thank you so much for taking the time to do this interview, Mr. Henkel.

I love the supernatural element in these books and even more, the unusual, non-European elements you utilize.  I’m assuming that you used the popular, well known setting of Victorian/Holmesian England to help ground your readers, but what compelled you to introduce the foreign supernatural elements?

As I am writing my stories, I always try to find interesting angles to familiar themes. Sometimes I end up giving the monsters abilities that are often overlooked, sometimes I simply pick a setting that is different from what you’d expect, and sometimes I will just make things up for the fun of it.

The hopping vampires in “Curse of Kali,” and even more prominently in “Fu Man Chu’s Vampire,” are a result of that approach. I didn’t want to write yet another vampire story. I had covered that territory with “Theater of Vampires” and felt that if I do vampires they needed to be unexpected. I am a big fan of the whole Fantasia/Wuxia movie genre out of Hong Kong, and while I was looking for a good angle on vampires, theJiang Shi - or hopping vampires - came to my mind. Clearly they were exotic enough to create a very different vampire story.

So, ultimately, it is really my desire to get away from overused stereotypes and clichés. While I love to use a gothic mood and atmosphere, and will often fall back on familiar imagery in the settings to evoke these emotions in the reader, when it comes to the bad guys and the stories themselves, I try to stay away from the off-the-shelf recipes.

Speaking as someone who gets easily tired by the "off-the-shelf recipes," I appreciate your approach. Do you plan on taking Jason Dark and Siu Lin to other locations?

I have thought about making them travel and having an adventure play on an island with Voodoo and all that. I have also thought of sending them to Hong Kong so that Siu Lin could go back to her home country for a visit. The problem for me is that traveling these distances during the Victorian time period took ages. It wasn’t a matter of sitting in an airplane and getting off a few hours later on the other side of the world. Traveling to China took months in those days. The problem that I encounter as a storyteller is that I have to accommodate for these long time lapses on the one hand while also explaining why my characters would even go through the painful tribulations of such a travel and how they could even afford to do these trips. How can they just up and leave for six months?

Still, the idea is very intriguing, of course, and I have no doubt it will be a plot device I will use in the future. For the time being I limit myself to the British Isles.

I definitely understand the time constraints required by traveling in historical fiction. I’m a comic book reader among other things and found myself wondering if D.C.’s character of Jason Blood had anything to do with the creation of Jason Dark. (Just curious, but would love to know the story if there is a connection.)

No, it had no impact at all. As a matter of fact, I am not at all familiar with Jason Blood. I am not a comic book reader - with the exception of Asterix, Lucky Luke and TinTin books. So, no, that character was no influence.

What was an influence was the German dime novel character “John Sinclair,” however. It is a series that I grew up with and devoured as a child, and it sort of spawned the idea of me creating my own dime novel horror series. As an homage to that series I named my character Jason Dark in reference to the pen name of the author who has been writing the John Sinclair series for the past thirty-some years. 

I had not heard of this series, so I guess both of us have new reading material to find now. LOL I know you’re a video game designer and I assume there’s some cross-pollination that goes on between your books and your games.  How do you see the two working together, either now or in the future?

I think there’s always cross pollination when someone works in a variety of creative areas. I am also a musician and it all washes together in one way or another. I always have had ideas for stories while developing games and vice versa. While I am writing I often think, “Hey, this would make a good game.” I make mental notes of it, naturally, but most of the time it is more something in the back of my head that unconsciously affects what I’m doing.

In the end it always comes down to the same thing. One day I will have an idea and it will set my mind aflame. When that happens I usually can’t let go of it. It will follow me for days and it simply will not go away. That is the moment I realize that this is the project I will have to do next because I won’t be able to get excited about anything else. It truly comes out of a passion.

Yes, it's practically impossible to keep your attention narrowed for the necessary length of time without passion to help you focus. How do you divide your time between these two task masters?

I usually don’t. I practically stopped making games the day I started writing “Demon’s Night,” the first of my Jason Dark supernatural mysteries. I was a little bored with doing games and wanted to try something new. I loved the experience and ever since, my books have been my main focus that I have devoted all my efforts to.

Every time I think about games these days, it is more in terms of something I could use to further the reach of the Jason Dark books. Like some kind of a promotional tool, almost. But to be honest, I can’t get excited about games all that much these days. The games industry has changed so much over the years, and not for the better, so that I have very little inclination to become active in it at this point.

I can’t even get excited about the major games that are being released these days. To me they are virtually all repetitive dribble, the same old unimaginative, testosterone-fueled, sophomoric stuff we did 25 years ago. The difference is that I’ve gotten a lot older and I really do not care all that much for the themes or the visual presentations of today’s games. Most of the time I just shake my head and wonder what they’ve been thinking when they made the game. There are only so many first-person shooters one can play… or at least that’s how I feel, especially when they all look, sound and feel the exact same for the past ten years.

I can certainly understand burnout. I think most of us can. So far, I see you’ve had Jason face off against vampires, mummies, ghosts, demonic forces, and a wide variety of undead. I loved the hopping vampires from China in The Curse of Kali. What other unusual, non-European supernatural enemies might we find Jason fighting?

I wish I could tell you. Really, but I don’t even know. The Jason Dark mysteries are not planned ahead, really, as a series. I finish one story, set it aside and then ask myself, What am I going to write about next? 

At that stage I will dig through ideas - I keep a Writer’s Journal and constantly jot down ideas and tidbits - and see what stands out. Sometimes one of those ideas will get me excited, but more often, in fact, something completely different will pop into my head and I will start fleshing it out.

It is highly unpredictable. Sometimes I’ll hear a line of lyrics from a song and it will spawn an image in my head, and I instantly have a key scene for a story in my mind. Sometimes it is something someone says. You know, just a few words, that lead me to a different association and leads me down a line of thoughts that ends up with some exciting idea. Occasionally, it is a book or a movie.

The other day I was in Vegas and one of the slot machine themes triggered a story idea. Sadly it is a vampire story and I don’t want to do another vampire book just yet, but nonetheless, it was a really exciting story with an interesting angle, I think. So it shows you how just about anything can serve as an inspiration for me.

I have just finished “Fu Man Chu’s Vampire” recently and right now  I am in the process of trying to find another story idea that really gets me going. I haven’t really found one yet, but I know, it could happen anytime. Who knows, maybe tonight, while I lie awake, trying to go to sleep, something may spark my imagination. If that idea should happen to revolve around some obscure Peruvian myth, all the better. If it revolves around hopping vampires, cool. I am really game for anything, as long as I find a way to rationally explain how these events could take place in Jason Dark’s universe.

The wonderful thing about London is the British Museum - they have so many artifacts from all over the word, any one of which might suddenly come to life.... Hee hee. When I read “Curse of Kali” I noticed that the hopping vampires served more as bookends to the story than actual parts of the story. Can you tell me more about that?

I knew that I wanted to bring Fu Man Chu back in some fashion. He appeared in “From a Watery Grave” already and I had set it up in such a way that it was clear he would want revenge eventually. In “Curse of Kali” I am finally setting those wheels into motion. However, I did not want to jump right into it and thought it would be nice to foreshadow his reappearance, build some anticipation before delivering a story that focuses completely on the conflict between the ghost hunters and Fu Man Chu. So I wrote the hopping vampire scenes in “Curse of Kali.”

As I mentioned earlier, however, I do not plan the series ahead a whole lot, and one of the interesting side effects of that was that I had absolutely no idea what to do in terms of a story for Fu Man Chu’s revenge. All I knew was that I wanted to call the book “Fu Man Chu’s Vampire,” because I felt it was an exceedingly cool title. 

So after finishing “Curse of Kali” I was completely clueless how to go about writing “Fu Man Chu’s Vampire,” and for months I just could not make heads or tails of it. I had painted myself in a corner. Finally, around Halloween, I had this idea how to make it all work, and the pieces fell into place. It set my imagination ablaze. I sat down and wrote the story, and interestingly enough, it was the fastest I had ever written a Jason Dark story, and to top it off, it also turned out to be the longest one to date.

(Clapping my hands in anticipation.) Is it available yet?

“Fu Man Chu’s Vampire” is currently undergoing the final edits and it should become available by the end of January.

Thanks again, Mr. Henkel. "Kali" was a great fun read and I look forward to reading your other books. You can find more about the Jason Dark series at either the website: www.jasondarkseries.com, or the blog: www.guidohenkel.com. 

The Curse of Kali by Guido Henkel

For a fun romp through a pseudo-Victorian England murder mystery, you can't go wrong with The Curse of Kali.

There's enough tension and fast paced action, I read the book in a single afternoon. A Gothic feeling pervades the story and just to alert parents, violence is involved. It is a murder mystery, after all. "Kali" will especially appeal to teens or adults with a taste for supernatural horror, but think "X-Files" rather than "Friday the 13th."

There's a heroine who literally kicks more butt than the hero detective, Jason Dark, a revenge-driven not-quite-ghost, a murderous Hindu statue, hopping vampires (a true Chinese legend and ultra creepy) and more.

For instance, there's the somewhat gratuitous appearance of Sherlock Holmes and Dr. Watson. By "gratuitous," I don't mean I didn't enjoy their cameos. I did. I would have preferred that the characters continued to put in appearances throughout the book, which they don't. Yet it was still delightful to see them and agree with the other characters' assessments of Holmes.


The book does have some minor points to quibble over, though most readers won't care. There were a few moments when I stubbed my reader's eyes on anachronisms, but hey, there are vampires. There is no reason to expect total historical accuracy in a story when you know to expect supernatural or science fictional elements.

If you or your teens enjoy mysteries or the supernatural, this is a must-read and I can't wait to read the sequel, "Fu Man Chu's Vampire." Stay tuned for my interview with the author, Guido Henkel.

Sweet Glory by Lisa Y. Potocar

Reviewed by Ginger Simpson 
I just finished turning the last page of Sweet Glory, and I'm sad that the story ended, but elated to have had the opportunity to read such a strong, masterful accounting of female bravery during the Civil War.  The amount of research time the author spent before embarking on writing is amply displayed, both in the accuracy of her facts and the acknowledgments she shares.  This book placed first in the 'Young Adult' category of the 2009 Maryland Writers' and SouthWest Writers' contests, and although I'm far from that targeted age group, I can't imagine being more engaged in an historical novel.  Ms. Potocar has created a fabulous way to teach our youngsters about an important period of history while making them feel as though they've experienced the journey personally. 

Jana Brady drags her feet at her parents' suggestion that she become a lady, but when it comes to standing up for her country, she can't restrain her eagerness.  Running away from home, cutting her hair, and dressed as a boy, Jana joins the Union army, the only way she knows to fight for the rights she cherishes.  When she meets up with another young woman, Leanne Perham, who has joined under the same disguise, they assume the names of Leander and Johnnie.

Secondary characters, Keeley, a handsome Irishman, and twelve-year-old Charlie, who lied about his age to join the unit to support his Ma, join Johnnie and Leander in forging a friendship that sees them through troubled times.  Though Charlie is eventually transferred to a safer environment, working in a hospital, Keeley is captured and Johnnie is determined to free the man she's come to love.  While trying, she's taken prisoner, is sentenced to death, and her true gender is revealed.

The descriptions in this book are amazingly real and emotional.  I love a novel that puts me in the characters shoes, or in this case, boots, and lets me see the story through the roleplayer's eyes.  Sweet Glory certainly did that for me.  I cried at the misery, pain and suffering and laughed with joy of discovery, love, and hope.  The breeze caressed my cheeks, the honeysuckle pleased my senses and dimmed the stench of blood and rotting limbs in the crowded hospital tents right before the hangman's noose chafed my throat.  You must experience this story for yourself and present it to a young adult so they can see for themselves the difference between telling and showing a story.  Kudos Lisa Potocar, you've written something wonderful.

Treat yourself to a copy of this book at Tate Publishing and available for preorder on Amazon.